Set in the 1950s and the regional Victorian town of Cahuna, Mateship With Birds invokes a subliminal level of pastoral and pastel as Carrie Tiffany explores family, sex and love along with the loneliness and monotony of rural life.
Betty Reynolds and her two children, Michael and Little Hazel, live on the edge of the dusty town with Harry, a dairy farmer, as their neighbour. Harry’s wife has left him for the president of the local bird-watcher’s club. That there is an attraction between the two adults there is no doubt. But both are reluctant or embarrassed to indicate this interest.
Constant errands, favours, meals and small gifts keep the family connected with Harry – and he evolves over the years into a surrogate father to the teenage Michael. It is his relationship with the boy that provides, finally, the book’s turning point.
Interwoven into the dusty, domestic narrative are the writings of Harry. A keen birdwatcher, he writes of a family of kookaburras that live on the farm – Mum, Dad, Tiny and Club-Toe.
It’s his poetic observations of the birds (and all families in general) that prove to be the interesting aspect of Mateship With Birds.
Mum. Dad, Club-Toe
break off their
They lose themselves in the doing.
I struggle to tell them apart.
there is no question
they would die for the family
– that violence is a family act.
Without these observations, Tiffany’s book, whilst well written, lacked any emotion (even Harry’s notes to Michael about sex were strangely dry and ‘sexless’) – an episodic pastel palette of country life.
Shortlisted for the 2013 Miles Franklin Award, Carrie Tiffany lost out to Michelle de Kretser and Questions of Travel.