Winton’s first Miles Franklin Award (with only his second novel) brings together the past and the present in its story of the Western Australian whaling town of Angelus – the fictitious coastal settlement that features in many of Winton’s subsequent novels.
The town, having seen better days, is the last remaining remnant of Australia’s whaling industry and, in 1978, present-day attitudes to the mass-slaughter gives rise to outside demonstrators descending in numbers. The threat to the livelihood of Angelus and the disruptions they cause both on land and out to sea are interwoven with stories of present day characters as the town plans for its 150-year anniversary.
It’s a narrative of loneliness and desperation, of ideology and commerce, of lost dreams and petty quarrels that have hung over Angelus for generations.
One local, Queenie Coupar, joins the anti-whaling group, the last member of a family that can trace its lineage back to the 1830s and the early, inhumane beginnings of its industry. Her stance leads to a separation from her husband Cleve, barely 18 months into their vows. It is their misery apart that is the core of Shallows as Queenie finds herself involved in more and more dangerous protests. Cleve, meanwhile, drowns his sorrows in cheap alcohol and reads the journals of Nathaniel Coupar, the first of the whaling family members.
It’s vividly written and sets a tone Winton constantly explores in his later books. Shallows may not be a classic, but, through strong characterisation and involving narrative, it’s still powerful stuff.
Shallows was awarded the 1984 Miles Franklin Award.