Massive and complex AS Byatt’s multi-awarding novel may be, but this overwrought piece of pretentiousness left me perfervid and polysyllabically frustrated (I can do it too!).
The writing was on the wall almost 30 years ago when I first purchased the book – it has stayed on the bookshelf since then. Now a yellowed, vintage copy (appropriate – a large part of Possession: A Romance is entrenched in 19thcentury poetry and letters), pages and pages of varied fonts, indented prose, academic musings incorporating footnotes into the main body of the novel alongside stereotypical characterisation and humour that falls flat results in a fetid indulgence of epic proportions.
I long gave up on the exploits of the nerdy, academic researcher, Roland Michell, wanting to make a name for himself in the world of 19thcentury English literature and the poetry of Randolph Henry Ash. Naturally his boss, James Blackadder at Prince Albert College in London, is mean spirited and threatened by all and sundry – but in particular the wealthy American, Mortimer Cropper, patron of the Newsome Foundation in Arizona. That upstart is also interested in Ash – and is purchasing all paraphernalia even vaguely related to the poet, including all research papers, original writings and letters.
So right from the off we have academic confrontation and competition – made even more profane when Roland keeps quiet about his discovery of a potential connection between Ash and Christabel LaMotte, a scorned lesbian poet long forgotten until recently championed by feminist academics. Cue more stereotypes of lesbians and feminists that can be added to brash Americans and batty, socially awkward academics as Roland heads of to the Women Studies Centre in the north of England where he meets LaMotte expert, Maud Bailey.
Professional rivalry ensues in the tedious literary detective story that unfolds from their research at the final home of Christabel LaMotte.
Possession: A Romance is a series of writings and genres from different periods: epic poems, diaries, letters, lists, academic papers, contemporary prose. But it’s simply too self-consciously clever and sits alongside stereotyped characters and clichéd events and plot development. Byatt herself takes an academic approach to biography whether in fiction or semi-fiction. You may not be able to fault the research and command of language but, as a novel, this is an impenetrable, self-promoting, self-indulgent entrapment. Literary with a capital ‘L’.
Possession: A Romance was awarded the 1990 Booker Prize.