One of the greatest spy novelists of all time (some would argue the greatest spy novelist), John le Carré first introduced George Smiley in this 1961 novella.
Call for the Dead is a relatively minor work as a recently divorced Smiley investigates the death of senior civil servant, Samuel Fennan. According to the top brass, suicide is the cause, but Smiley is unconvinced. There’s just too many East German connections sniffing around.
It is the introduction of Smiley – the foil to an overly public, glamorous James Bond – that makes Call for the Dead an important, of-its-time, read. Short, overweight, balding and wearer of thick lensed glasses, Smiley has, according to his superiors, “the cunning of Satan and the conscience of a virgin.” He is a true career intelligence officer (unlike Bond) but, in 1960 and Call for the Dead, he is working at a menial level, security-clearing civil servants.
It develops into a suspenseful conceit of espionage and deceit, a realism-based thriller that is minor in its narrative and plotting but which, of course, leads le Carré and Smiley into the classics of The Spy Who Came in From the Cold and Tinker, Tailor, Soldier, Spy.