Enjoyable if slight bio of Bert Trautmann, a German POW on English soil who, against all odds, became a legendary sporting hero in England itself.
David Kross (The Reader, War Horse) is the lead as, with the help of local grocer Jack Friar (John Henshaw – Stan & Ollie, The Angels’ Share) and his daughter, Margaret (Freya Mavor – The Sense of an Ending, Sunshine on Leith), Trautmann gets time off from the post-war internment camp and becomes the goalkeeper for the local St Helens football club. Scouts soon arrive and, just three years after the end of the war, Trautmann is controversially signed by Manchester City.
It takes time to win the fans over – and Trautmann faced a great deal of abuse from opposing fans when travelling to other cities – but the famed 1956 Wembley FA Cup Final with Manchester City playing Birmingham City ensured that the German ‘keeper entered the annals of footballing history.
No risks are taken by director Marcus H Rossenmueller (Grave Decisions, The Colour of Mother-of-Pearl) in telling this straightforward story of a man who overcame public hostility to become a local hero (with more than a little help from his wife, Margaret).
The rise of Elton John into pop superstardom is a magical, visual fantasy of a musical biopic – with a stand out performance by Taron Egerton (Kingsman: The Secret Service, Eddie the Eagle).
Addiction (alcohol, cocaine, sex) battles are writ large in director Dexter Fletcher’s (Sunshine on Leith, Eddie the Eagle) telling of the early days of success as a shy and withdrawn Reggie Dwight evolves into the flamboyant Elton John. And whilst there’s no claim for Rocketman to be a true telling, the solid foundation to the tale is provided by the long-term friendship with Bernie Taupin (Jamie Bell – Billy Elliot, Film Stars Don’t Die in Liverpool).
Inevitable comparisons with last year’s Freddie Mercury biopic Bohemian Rhapsody aside, a slow, family-life start in the outer London suburb of Pinner kicks into life with the screen arrival of Egerton. His look and mannerisms are uncanny, his singing excellent – and whilst Rocketman generally avoids providing any real depth to the man himself, it is entertainment with a capital E.
Ruth Bader Ginsburg is trending, an icon of our time. Last year came the acclaimed documentary, RBG, which introduced the fiery advocate for the advancement of gender equality and women’s rights to a wider audience.
Mimi Leder (Pay It Forward, Deep Impact) and her film introduces her to far more – although, inevitably, the biopic of only the second woman to be appointed to the U.S. Supreme Court, is sadly diluted for mass consumption. Felicity Jones (The Theory of Everything, Inferno) plays Ginsburg with steely aplomb, but in covering 30 years, the narrative skims across too much detail.