‘The Salesman’

SalesmanThe best film in a foreign language Oscar winner, The Salesman is a confident, assured piece of cinema.

Surprisingly low key and minimal, to label it a revenge thriller would be doing Asghar Fahardi (A Separation, The Past) a disservice. Yet Shahab Hosseini (A Separation, About Elly) is determined to discover the identity of the man who assaulted his wife (a superbly resigned Taraneh Alidoosti – Modest Reception, About Elly) in their own home.

As with the magnificent A Separation, Fahardi builds the tension (without overly altering the pace) primarily through words, leaving you somewhat breathless as the narrative builds towards its compelling finale.

Rating: 81%

‘A Girl Walks Home at Night’

A-girl-walks-home-posterSo few surprises at the Oscars that hardly worth pausing to mention (although delighted for Julianne Moore, Eddie Redmayne and J.K.Simmons).

So on with the everyday – not that A Girl Walks Home Alone At Night is what I would describe as an everyday feature. It’s probably (almost certainly) the first b/w Iranian vampire feature directed by a woman: throw into the mix the fact that whilst filmed in Farsi, locations were California…. That alone would make it seeing.

And it’s certainly interesting. Not sure I would go as overboard as some critics have (“a new vampire classic” – The Playlist) – beguiling is more appropriate. The feature-length debut by award-winning director Ana Lily Amirpour (shorts True Love, A Little Suicide) of taking itself a little too artily seriously at times – longeurs of nothingness in semi-lit streets. But you certainly get drawn in.

Rating: 58%