As mentioned in an earlier post, 2016 was not awash, in my opinion, with great films. Lots of good ones, a few that didn’t quite live up to expectations or some abject failures. Hence my top 10 for the year is noticeable by its lack of US ‘studio’ films and dominated by European ‘sensibility’. There’s little room for last year’s big critical darlings – only Spotlight making the cut from the Oscar nominated best films. No The Revenant or The Big Short (the latter sitting just outside the top 10).
To be honest, I was a little surprised by the way my list panned out – but it’s all based on my own percentage rating and rings true. ‘Story’ dominated – whilst I’m not averse to action and adventure, it’s the narrative that is all-important. So the indie productions are well-represented.
My top 10 films for the 2016:
10=: Captain Fantastic (Canada) w/Viggo Mortensen
Mr Gaga (Israeli documentary) dir/Tomer Heymann
7=: The Hateful 8 (US) w/Samuel L. Jackson
Hunt for the Wilderpeople (New Zealand) w/Sam Neill
The Embrace of the Serpent (Colombia)
5=: Spotlight (US) w/Michael Keaton
Hell or High Water (US) w/Chris Pine
4: Indignation (US) w/Logan Lerman
3: Nocturnal Animals (US) w/Amy Adams
2: Mustang (Turkey/France)
1: I, Daniel Blake (UK) dir/Ken Loach
Quiet, social commentary films are there in numbers – the devasting Ken Loach Cannes Palme d’Or winner, I Daniel Blake sitting atop the list as my favourite film of the year. That was a little unexpected knowing La La Land was my last film of 2016. Going by critical response, I anticipated the Damien Chazelle homage to Hollywood musicals of the 50s to be the film of the year. It was good – but not that good, as indicated by its failure to feature in my top 10.
Both Mustang and The Embrace of the Serpent were nominated for last year’s best foreign language film – but they lost out to the Hungarian Holocaust drama, Son of Saul. You can see my opinion (Son of Saul came in around 15th for the year on my selection). The other foreign language film on the list, Mr Gaga, is the superb documentary focussing on Israeli contemporary dance choreographer, Ohad Naharin.
Both Hell or High Water and Nocturnal Animals share the presence of a Texan sheriff as crucial to the storyline – the underrated Michael Shannon in Tom Ford’s elegant suspense feature and the show-stealing Jeff Bridges in Hell or High Water.
Disappointing not to see a local Australian film in the list but the Antipodes is represented by the most successful New Zealand film ever made – the irrepressible Hunt for the Wilderpeople. And its back-to-nature setting is mirrored by the alternative upbringing of the (large) Cash family in the Washington State wilderness of Captain Fantastic.