Best of Year (2016) – Female Performance

la_pazza_gioia_01_cpaolo-cirielli-0-2000-0-1125-cropHere we go – first of my 2016 ‘best of’ film lists, limited to the films I saw during the year.

It’s reported that 2016 was a particularly fine year for high-profile female performances. But sadly, many are in films yet to be released in Australia. So no Natalie Portman (Jackie), Ruth Negga (Loving), Annette Bening (20th Century Women), Taraji P Henson (Hidden Figures), Viola Wills (Fences), Sandra Hueller (Toni Erdmann) and any number of films never seeing the light of day Down Under.

But my top 5:

5: Emma Stone (La La Land)
4: Amy Adams (Nocturnal Animals/Arrival)
3: Charlotte Rampling (45 Years)
2: Isabelle Huppert (Elle)
1: Valeria Bruni Tedeschi (Like Crazy (La pazza gioia))

This list could have been made up from a number of performances featured in last year’s Oscars – yet Brie Larssen, winner of the 2016 Oscar for best actress for her performance in Room, failed to make my top five (I placed her sixth on the list). Of the nominations for last year’s Oscar, my vote would have been cast for the quiet, superbly nuanced performance by veteran actress Charlotte Rampling and 45 Years.

Other’s just outside the top five include Sally Field (Hello, My Name is Doris), Margot Robbie (Suicide Squad – even though I did not like the film) and  veteran Japanese actress Kirin Kiki for An (known as Sweet Bean in the States).

Three of the likely 2017 contenders are featured in my top 5 for the year. Emma Stone and La La Land slips into my list – the last film I saw in 2016 – and she (just) steals the acting accolades from Ryan Gosling. Amy Adams also makes my list – and a little unfairly in a way as there are two superb performances to take into account (and which I saw on the same day!). It’s Arrival that’s winning the attention but my personal preference (just) is for Tom Ford’s sublime Nocturnal Animals.

Isabelle Huppert pulls off the challenge of the rape victim who turns the tables on her attacker in Elle, a so-called taut mystery which I personally found loathsome and offensive as a film. But there was no denying Huppert’s performance and she may well gain her first Oscar nomination.

But its Valeria Bruni Tedeschi who gets my vote for 2017 and her fabulous bipolar performance in the Italian comedy drama Like Crazy (La pazza gioia). She completely owned that role!

‘An’

an-sweet-red-bean-paste-posterA sweet confection of a film turns on its emotional head at the half way mark, providing a quietly moving finale that may be obvious but is no less powerful.

Veteran actress Kirin Kiri (Still Walking, Mom and Me and Sometimes Dad) is a quirky delight as Tokue, desperate to work at the corner dorayaki (a pancake-like snack) house to make her home made an (red bean paste) and revive the fortunes of down-at-heel chef, the cynical Sentaro. A gentle, believable friendship develops between the two.

An is a quiet, gently nuanced film where, from an ‘action’ perspective, little happens. But the dignified performances and a simple, unfolding storyline makes this modest film look to the detail of life rather than broad brushstrokes.

Rating: 69%