Marvel’s follow-up to the refreshing 2016 Deadpool is a templated repeat formula of the first film – but with no suspense, off-the-mark humour and a derivative storyline.
Ryan Reynolds is back as the foul-mouthed Wade Wilson – and it’s fellow mutants who need to band together to save the young Firefist (Julian Dennison – Hunt for the Wilder People, Paper Planes) from the time-travelling Cyborg, Cable (Josh Brolin – Sicario, George W.)
An interesting casting decision regarding Brolin as Cable and Thanos in The Avengers but that’s where any interest in Deadpool 2 begins and ends. A bore.
The behemoth that is Marvel Comics continues unabated with the next instalment of its superhero comic characters. Yet, in spite of new blood attached to The Avengers in the guise of The Guardians of the Galaxy, The Avengers: Infinity War is the same same and not really very different. Result is that, whilst occasionally funny and occasionally exciting, it all gets monotonously boring.
Thanos (Josh Brolin – Milk, Sicario) is looking to collect all six Infinity Stones to cull the universe: The Avengers needless to say are out to stop him. Problem is they’re spread all over the universe. And that’s how it predominantly stays with various superheroes separately in battle with Thanos or his sidekicks. The fractured nature of physical presence (were they all ever on the set at the same time?) is reflected in a fractured narrative that is repetitive and ultimately dull.
There’s no question that the latest in the Marvel Comic franchise is politically important with its virtually all-black cast. And director Ryan Coogler (Creed, Fruitvale Station) has bought more than a touch of meaningful social commentary with him. But you can’t help thinking that Black Panther is more than a little over-hyped.
It’s an incredibly slow start with its origin story and photogenic African savannah panoramas. And while the court of King T’Challa (Chadwick Boseman – Get On Up, Captain America: Civil War) livens up considerably, a sluggish Black Panther is upstaged by his senior general, Danai Gurira (Mother of George, All Eyez On Me), as well as the villain of the peace, Michael B Jordan (Fruitvale Station, Creed).
The Marvel Comics domination of all things box-office continues unabated with the third instalment of the Thor stand-alones (although Thor: Ragnarok also features Mark Ruffalo as Bruce Banner /The Hulk).
There’s a lot of humour in the latest episode as Thor (a returning Chris Hemsworth) must face up to not only his brother Loki (Tom Hiddleston) but his unknown-he-had-one sister, Hela (a splendidly vindictive Cate Blanchett – Lord of the Rings, Carol), intent on revenge for her banishment from Asgard.
It’s entertaining enough (courtesy primarily of NZ director Taika Waititi – Hunt for the Wilderpeople, What We Do in the Shadows) and a considerable improvement on the previous Thor: The Dark World, although the constant on-screen battles of all things Avengers is starting to wear more than a little thin.
An adolescent superhero within an adolescent storyline. The cheeky charm of Tom Holland (The Impossible, How I Live Now), introduced as Peter Parker in a cameo in last year’s Captain America: Civil War wears thin over the length of Jon Watts’ (Cop Car, Clown) first foray into the Marvel canon.
A predictable storyline (youth ignored by adults who therefore relies on his own wits to save the day) with a flat, uninvolving telling with little real excitement and only the occasional flashes of humour. That’s Spiderman: Homecoming.