‘Sing Street’

sing_streetDelightful, feel-good and totally endearing, the latest from John Carney (Once, Begin Again) yet again presents the good in both character and narrative (and provides a ripper of a soundtrack).

A nostalgic revisit to the 80s with a story that, whilst hardly innovative (new boy at school overcomes bullying, wins the girl and gains popularity), uses music to flesh out its tale. Newcomer Ferdia Walsh-Peelo is a convincing innocent discovering his inner Duran Duran or The Cure – and the relationship with his music mentor brother Jack Reynor (Transformers: Age of Extinction, Free Fire) adds an extra layer of oddball warmth.

Rating: 69%

Who’s going to win? Oscar thoughts.

academy_award_trophyWith the Oscars dished out this coming weekend, and, having seen all nine features up for best film, thought a little personal ruminating would not go amiss (there’s enough of others out there).

Naturally, it’s a personal take on those nine films. Some I do not think should even be on the list; others are noticeable by their absence (Tom Ford’s Nocturnal Animals in particular). But of those nine, my choice for best film falls unequivocally for Moonlight.

The Golden Globes got it right when the Hollywood Foreign Press Association voted it best film – drama. The two separate categories for best film – drama and comedy/musical – certainly helped the Barry Jenkins-helmed feature avoid competing against the critical behemoth that is La La Land. But it’s the better film (personally speaking). Resonant, poignant, performed by an ensemble cast with quiet dignity, it’s a quite extraordinary film.

La La Land, the odds-on favourite to win a swag of Oscars including best film, fell into that ‘it’s good but not that good’ category for me – and is only fifth of the nine on my list. But in its celebration of LA and Hollywoodland (and a quite haunting soundtrack), it will probably win the big one (at least).

Any other year, the indescribably sad Manchester by the Sea would have likely topped my favourite of the year. Like Moonlight, it’s another quiet drama with superb performances from all and sundry, although in her few scenes Michelle Williams is devastating (as is Casey Affleck).

It’s hardly original – and we’ve seen Jeff Bridges play laconic lawmen for what seem forever (partly because he’s so good at it!) – but Hell Or High Water is a particularly fine example of its genre but unlikely to cause any surprises (it’s a film that appears to be constantly finding itself second or third in all its categories).

Lion surprised me by the respect it gave to the early part of its narrative – almost half its running time is set in a subtitled India. It’s a true story very well told and it was good to see Dev Patel gain recognition at the BAFTAS for his performance (it would be a major surprise if he repeated the feat and picked up Best Supporting Actor over Mahershala Ali in Moonlight).

The rest of the nine films are likely to be also rans, although Fences is a powerhouse in terms of acting. August Wilson’s film betrays too much of its theatrical roots to be truly convincing as a feature film. Arrival is an intelligent sci-fi but, like Hell or High Water, features high on lists of five or ten without topping any of them. Hackshaw Ridge surprised by finding itself in the running for best film. Highlight of Mel Gibson’ war film is the superb editing and cinematography (sadly no recognition for Simon Duggan in the latter category). And then there’s Hidden Figures which was a great true story disappointingly told.

So I’d love it if Moonlight took home the best film award but it’s hard to see it beating out La La Land.

Personal ratings of the films nominated for the best film Oscar

Moonlight (91%)
Manchester by the Sea (88%)
Hell or High Water (80%)
Lion (75%)
La La Land (73%)
Fences (69%)
Arrival (67%)
Hackshaw Ridge (63%)
Hidden Figures (57%)

‘La La Land’

la-la-land-posterA gorgeous homage to 50s Hollywood musicals and French director Jacques Demy (Umbrellas of Cherbourg, The Young Girls of Rochefort), La La Land is regarded by many as one of the best films of 2016 and a potential multiple Oscar winner.

Like those 50s musicals, the premise is simple enough – boy meets girl, they fall in love, they go their separate ways with lots of dancing in the streets and showstopping tunes. Ryan Gosling (Half Nelson, The Ides of March) is the jazz musician down on his luck, Emma Stone (Birdman, The Help) the wannabe actress. Their chemistry is palpable with Stone a stand-out as the vulnerable yet determined Mia.

The hype is a little over the top for this throughly enjoyable but overlong celebration of its genre – it’s a good film rather than great. But as a follow up to the superb Whiplash, director Damien Chazelle is proving to be one of the most exciting writer/directors around.

Rating: 73%

‘Into the Woods’

sq_into_the_woodsWith a fabulous cast (Meryl Streep in particular), the first two-thirds whizz by in an entertaining frenzy of composite fairy tales. But once the initial quest is achieved (the end of the first act in the original stage production) and a secondary narrative evolves, the effervescence becomes somewhat flat.

But have to love the music – Stephen Sondheim (Sweeney Todd: the Barber of Fleet Street, Follies, A Little Night Music) is a genius!

Rating: 66%