Stark yet rivetingly sincere, the latest feature from Andrey Zvyagintsev (Leviathan, Elena) is feel bad in extremis.
As a Leningrad couple look to divorce, so their 12 year-old son, caught in the vindictive and argumentative maelstrom, disappears.
It’s a devastating drama, with Aleksey Rozin (Leviathan, Elena) and newcomer Maryana Spivak superbly nuanced as the couple in a feature that is never afraid to allow scenes to slowly unfold in all its dour yet heightened banality. A layered slow burn, Loveless is another of Zvyagintsev’s desolate commentaries on contemporary Russian society.
One of the best films of the year so far.
A raw, uncompromising narrative set in the bleak underbelly of an impoverished neighbourhood of Nalchik, a Russian industrial city in the northern Caucasus.
Living in a predominantly Muslim area, a young Jewish couple are abducted. The ransom is too high for either parents to reach. Family and community relations reach boiling point, particularly as independent-minded Ila (a powerful debut by Darya Zhovnar) continues with her relationship with Zalim, a man ‘not from the tribe.’ But the question remains – how far is the family willing to go to save their son, David?
The directorial debut from Kantemir Balagov is seedy, confronting and simply unpleasant, populated with a series of characters that are simultaneously overbearing and deeply unlikeable.
Screened in the Melbourne International Film Festival.
As bleak a story as the Arctic coastal town in which it takes place. Leviathan, co-written and directed by Andrey Zvyagintsev (the equally bleak and pessimistic Elena), is a devastating, coruscating political allegory of modern day Russia as Kolya attempts to fight the system and the corrupt local mayor to save his home and livelihood.
Nominated for the Best Foreign Language Oscar earlier this year (and winner of the same category at the Golden Globes), Leviathan is a slow-burner full of drama and suspense. Quite simply – stunning.