Misunderstood innocent or scheming gold-digger? Roger Michell (Notting Hill, Changing Lanes) largely keeps you guessing about cousin Rachel (a superb Rachel Weisz – The Constant Gardener, Denial).
Intense close-ups, occasional tears, grubby manor houses, surly (and scruffy) servants all add to the uncertainties of Phillip (a doe-eyed Sam Claflin – The Hunger Games, Me Before You) for her role in the death of his guardian. Infatuation replaces revenge.
It’s a gorgeous potboiler (author Daphne du Maurier was one of Hitchcock’s favourites – that should give you a clue) with one caveat – the truly awful soundtrack that is at times cloyingly sweet and generally infuriatingly intrusive.
Wistful and surprisingly charming (thankfully avoiding anything ‘cutesy’ or cloyingly sentimental), director Lone Scherfig’s (An Education, One Day) latest cuts deeper than the storyline suggests.
A World War II romance with a difference as Gemma Arterton (Quantum of Solace, Tamara Drewe) finds herself in a man’s world – that of the work place – as more than a secretary. Morale-lifting films are the order of the day – and Arterton is there to provide the ‘slop’ (female dialogue). Fellow screenwriter Sam Claflin (Me Before You, The Hunger Games) is the love interest but it’s Bill Nighy (Love Actually, Pirates of the Caribbean: Dead Man’s Chest) as the ageing thesp who steals just about every scene he’s in.