In an un-named city swollen by refugees somewhere in the Middle East, Saeed and Nadia meet at an evening class. But not everything is at it seems – it takes Saeed a few lessons to pluck up the courage to speak to the young woman dressed in flowing black robes, only to discover she drives a motorbike, lives alone, smokes dope and is wedded to the phone and internet.
Their evolving love story is fraught with dangers as religious militants take control of various neighbourhoods in the city and executions for minor infringements of religious law are not uncommon. But as the violence and dangers escalate, so rumours abound of doorways randomly appearing throughout the city: to exit through a door is the path to a new life somewhere else in the world.
Exit West is addictive reading. Inevitably, there is a sense of familiarity as more and more displaced persons, via garden sheds, bedrooms, toilet cubicles, emerge all over the world. But Hamid’s world is set in an imagined near future. It is the story of the plight of refugees. But this is not the grim tale of terrifying, interminable journeys across borders or families holed up in tiny spaces as war explodes around them. Instead, as Saeed and Nadia travel through the portal, their experience is both like dying and like being born as they step into an alien and uncertain future. It’s not what they expect and they face both danger and joy.
What follows is a profoundly moving personal story of love, courage and, most of all, loyalty as the two face and confront the displacement of certainty and equilibrium around them.
But, whilst addictive, Exit West ultimately falls short of being fully satisfactory. The relevance of the novel’s first third and the beautifully written exposition of life in the un-named city as life becomes more and more untenable (electricity blackouts, random home searches by both militants and government forces, executions) loses out to a somewhat pedestrian, off-kilter place (as opposed to time) travel narrative.
Salient, engrossing, at times quite magical but also somewhat odd – the portals through which individuals place travel are never explained, a flight-of-fancy that actually needed a little more grounding. Shortlisted for the 2017 Booker Prize, Exit West lost out to George Saunders and Lincoln in the Bardo.