A series of five stories connected by place but with a separation of almost one thousand years, Storyland is the ambitious tale of a country, a continent, a history, a prophecy.
In 1796, young cabin-boy Will Martin finds himself on a proposed short journey of discovery – to find a fresh-water river believed to be a few miles down the coast from Port Jackson (modern-day Sydney). Travelling with (the non-fictional adventurers) Lieutenant Matthew Flinders and Mr George Bass, the two men and a boy find themselves on uncharted waters full of hope and adventure. A thousand years later, Nada is questioned of her survival from Frank, the gargantuan storm that has left most of Australia permanently underwater.
A woven tapestry of history and future, of hope, love, friendship and potential but simultaneously of violence, greed, misunderstanding and sadness. The brutality of ex-convict Hawker (1822) towards the indigenous aborigines is mirrored in Bel’s story (1998) where the (white) dealer in indigenous art is not only stealing from the artists, but is violent towards his girlfriend, Kristie, a distant relative of Mary and Lola (1900).
In telling and connecting the five stories (Storyland takes place around Lake Illawarra and modern day Wollongong), Catherine McKinnon has produced a haunting narrative of what was and what might be – a telling of the effect humankind has on the land and what might yet come with climate change. In its telling, she has chosen to focus on ordinary people – an interpretation of recorded events as seen from the perspective of Will Martin rather than Flinders himself: the half-sisters Lola and Mary, both of indigenous descent, faced with overt and covert racism in the running of their dairy farm: Nada and partner Ben’s despair in surviving the disease-ridden after-effects of the storm.
In its telling, McKinnon uses the dramatic technique of leaving the first four stories at a crucial moment before moving on to the next: she reverses the order of their conclusions, resulting in Will Martin’s adventure as both the first and last of her narrative. The result is that Storyland is a real page-turner.
Shortlisted for the 2018 Miles Franklin Award, Storyland lost out to Michelle de Kretser and The Life to Come.