‘A Man Called Ove’

A_Man_Called_Ove.pngSome 85 films were submitted for consideration for the 2017 best foreign language Oscar. Sweden’s entry, A Man Called Ove, made the final shortlist of five before losing out to Iran’s The Salesman. The other 80 must have been appalling if the Hannes Holm-helmed dramedy was seen as one of the best of the year (Julieta, Elle, Neruda, My Life as a Zucchini are just a few that failed to make that final five).

Lonely, grumpy widower Rolf Lassgard (After the Wedding, The Hunters) learns to smile again after a new family moves into the neighbourhood. Off-kilter humour early on gives way to crowd pleasing tosh, resulting in disjointed comedic sentimentality. Deeply unimpressed.

Rating: 31%



‘A Pigeon Sat on a Branch Reflecting On Existence’

a-pigeon-sat-on-a-branch-posterI would like the two hours of my life spent watching this pretentious claptrap back.

Bizarre, overtly stylised, heavily staged, muted tones – a series of vaguely connected vignettes (some only seconds long) loosely exploring ethics and morality. Banal, nonsensical, annoying – the jury at the 2014 Venice Film Festival deserve to be served up in b’stilla (Moroccan pigeon pie) in awarding this the Golden Lion.

Rating: 10%

‘Force Majeure’

movie-movie-review-film-film-review-force-majeure-1Sweden’s entry into the race for the Best Foreign Language Film Oscar – and apparently one of the favourites. Not wholly convinced.

The main problem is that the arguments within the film peter out into nothingness and feel unresolved – which is a pity as for the first two thirds of its two hours, it’s deft, provocative and uncompromising in exploring the expectations behind masculinity and parenting.

And the location – high in the French Alps – is beautiful.

Rating: 62%