This year’s Best Foreign Language Film Oscar was presented to the more political Chilean feature A Fantastic Woman. But the same category at the Golden Globes was won by the more accessible German film, In the Fade.
The grief and pain is palpable in Diane Kruger’s (Inglorious Basterds, Farewell My Queen) mesmerising performance as a mother coming to terms with the murder of her Turkish husband and six year-old son. But the grief is replaced by anger as the courts look to dismiss the murder charges against a Neo-nazi couple.
Tension rides high as director Fateh Akin’s (Soul Kitchen, The Edge of Heaven) feature vacillates between social consciousness and old-fashioned justice. It may ultimately morph into something all a little too predictable, but the less-than-innocent Kruger’s award-winning performance (best actress, Cannes) more than carries the day.
A mix of courtroom thrills, suspense and melodrama ensures the Sydney-set Janet King is an entertaining and engaging eight-episode TV series.
A feisty, no-holes-barred Janet King (Marta Dusseldorp – Jack Irish, A Place to Call Home) returns from maternity leave to find herself thrown in the deep end from the off. The NSW Assistant Police Commissioner has been charged with assisting in the premature death of his wife, dying from cancer.
Whilst King is dealing with in-house politics at the Department of Public Prosecutions (and a new, ambitious prosecutor in particular), the assistant commissioner disappears. She finds herself thrust into the limelight as the search for the high-ranking official becomes intertwined with an investigation into a child pornography ring. It soon becomes apparent it involves politicians along with senior members of the legal and public services.
Political pressure from the very top for results – and fast – result in mistakes being made. And King and her family are forced into safe-house protection as she receives threats to her life.
More than a hint of soap-opera with plenty of melodrama – and glossing over legal detail – make Janet King a light, readily-accessible drama. But it’s Janet King herself who adds a degree of depth – frosty, aloof, highly intelligent. It’s only at home with her two young children and partner Ashleigh we see a vulnerable side.