What a disappointment! Hyper-lauded by critics (87 on metacritic) as a true classic horror, director Ari Aster’s directorial debut is a derivative mishmash of much of what has come before it. Ghostly apparitions, (dead) granny on the ceiling, bumps in the night, devil-worship and ancient mythologies…
As a psychological family drama, Hereditary starts off well enough with Toni Collette (Little Miss Sunshine, Muriel’s Wedding) and family barely grieving for her recently deceased, belligerent mother. But then her 13 year-old daughter dies in a freak accident and everything goes down hill from there – including the film.
For a horror film, there are few scary bits – and even those are a very long time coming.
The ‘Z’ word may not be mentioned, but enjoyable Australian film Cargo firmly falls into the zombie-horror genre, but with more than a little social commentary.
With suggestions of fracking and other environmental abuses the cause of the epidemic that has decimated the country, Martin Freeman (The Hobbit, Black Panther) searches the outback for someone to look after his baby daughter.
Developed from a seven minute short by directors Yolande Ramke and Ben Howling (both making their feature film debut), whilst Cargo is occasionally plot and dialogue creaky, Freeman instils an engaging level of pathos to proceedings. And the final minutes are stirring and moving.
Husband and wife team John Kranski (13 Hours, TV’s The Office) and Emily Blunt (Sicario, The Devil Wears Prada) play a convincing husband and wife in this post-apocalyptic survival story.
No explanations as to why and where from (and the stronger for it) – all we know is that ‘they’ are blind but respond to the slightest sound, ending in an immediate and gory death. We start at day 95 and end at day 460-something. In the interim, Kranski and Blunt and two of their kids have constructed a life of virtual silence on their farm, surviving in hiding and in a state of constant dread.
It’s that claustrophobic quiet that creates a deep sense of foreboding and fear – but the strength of A Quiet Place is the balance of horror with a genuine family drama.
More haunted house hokum as Dr Eric Price (Jason Clarke – Mudbound, Terminator Genisys) is hired to ascertain the sanity of heiress Sarah Winchester (Helen Mirren – The Queen, Red). Seems she is haunted by the spirits of those killed by the Winchester repeating rifle – and making decisions her board of directors are none too keen on.
With its pertinent anti-gun message, Winchester is timely in the telling of a story based on actual events as Sarah adds room after room to her already enormous home to house the spirits. And the Spierig Brothers’ (Predestination, Daybreaker) latest certainly looks good, with added gravitas provided by Helen Mirren. But sadly Clarke is not convincing as the laudanum-addicted psychiatrist and the chills are little more than lukewarm. All a little too familiar.
Something of a box-office sensation in the US (made for $4.5 million: $170 million takings), Get Out is the Stepford Wives of race relations!
Things go mighty wrong as photographer Chris (Daniel Kaluuya – Sicario, Kick-Ass 2) travels with his girlfriend to meet her family for the first time. Their very white, middle-class upstate suburb just doesn’t ring true.
First time director Jordan Peele injects fresh ideas into the horror film genre with an effective mix of creepiness, gore and humour (courtesy of comedian LilRey Howery). Enjoyable.