Entertaining enviro-political narrative as an eminently watchable Halldóra Geirharðsdóttir (Metalhead, The Seagull’s Laughter) takes on the aluminium industry polluting the beauty of the natural Icelandic countryside.
With the inadvertent help of a twin sister and a lonely farmer, Halla quietly gets things done, in spite of the establishment reacting in the belief it’s the actions of organised international terrorism.
Writer/director Benedikt Erlingsson (Of Horses and Men, Polite People) avoids overtly agitprop political speak, allowing wry humour and understated opinion speak for itself – along with the juxtaposing of the ruins of a Ukraine destroyed by over-industrialisation (a gentle subplot to the story).
Screened as part of the Melbourne International Film Festival
A ménage-a-trois in a post-nuclear world where civilisation has been largely destroyed.
But its dystopian setting is a stunningly beautiful mountainous valley of green pastures, where a deeply impressive Margot Robbie (Suicide Squad, The Wolf of Wall Street) has survived in rural isolation on the family farm. Her lonely idyl is interrupted by Chiwetel Ejiofor (12 Years a Slave, The Martian): their idyl is interrupted by the arrival of Chris Pine (Star Trek, Hell Or High Waters).
Director Craig Zobel (Compliance) creates a patient, slow burn of a film in which the three characters admirably play out the evolving storyline.
A remote, windswept valley is the setting as two brothers, estranged for 40 years in spite of their farms sharing common boundaries, must come together to save their livelihoods – the sheep that graze the barren landscape.
It’s a quiet, quirky drama, the unfolding winter-set tragedy imbued with a dark humour. Director Grimur Hakonarson (Summerland, A Pure Heart) draws us into the brothers’ world – and their relationship with the land and, importantly, the sheep. Like the film itself, lead Sigurour Sigurjonsson, the elder of the two brothers, is an understated, nuanced presence that stays with you.