Bridgerton 3: a six part season providing a Bridgerton backdrop to Queen Charlotte’s marriage to George III and the social ‘experiment’ instigated by Dowager Princess Augusta and a reluctant parliament.
There’s only a smattering of Bridgerton regulars in season three as the majority of the narrative focuses on the arrival in London of teenage Charlotte (India Amarteifio) and the early years of her marriage to George (Corey Mylchreest). Bethrothed to George against her wishes, Charlotte is not happy. As we already know, things are not quite right in the royal household. But Queen Charlotte – a Bridgerton Story is set several decades before seasons one and two. As the older Charlotte (Golda Rosheuvel) struggles to secure succession from her many adult children, so she is reminded of the early days of marriage.
With George’s mother, Dowager Princess Augusta (Michelle Fairley) herself struggling with parliament to ensure the royal succession, the arranged marriage looks good for all concerned. Assuming Charlotte to be a passive minor German royal of good child bearing stock, as a black woman she is also perfect for the ‘experiment’ of social integration. But Charlotte is anything but passive and soon challenges royal protocol and prerogative. Expect plenty of clashes between mother and daughter-in-law, husband and wife, king’s valet (Reynolds – Freddie Dennis) and queen’s valet, Brimsley (Sam Clemmett) as Charlotte discovers she’s actually in love with her husband.
It’s a fun ride, interspersed with that of the elevation of the Danburys to the aristocracy – the first titled black family. Lady Agatha Danbury (Arsema Thomas) and Queen Charlotte become firm friends but Lord Danbury’s early death throws a spanner into the works regarding succession.
For fans of Bridgerton (and there are many!) invested in the characters, season three provides historical backstories to the three senior women of the series – Queen Charlotte (a personal favourite), Lady Agatha Danbury (Adjoa Anode) and Lady Violet Ledger Bridgerton (Ruth Gemmell). But to be honest, like the first two seasons, it could have been achieved so much quicker. There’s a little too much of a young sulky/angry Charlotte eating alone or regaling Brimsley. The result is a somewhat repetitive narrative. But it’s lightweight entertainment well told exceptionally well cast – and it throws in social commentary of contemporary issues (racism, homophobia, sex, republicanism) for good measure.