‘WeCrashed’

Narcissism reigns supreme as the WeWork startup positions itself as one of the world’s most valuable – and promptly crashes around the ears of messiah-like founder, Adam Neumann (Jared Leto) as greed overtakes business acumen.

With brilliant insight, Neumann recognised the potential of shared work space with relaxed environments promoting communication, interchange and collaboration. A simple concept based on Neumann’s own kibbutz upbringing in Israel. Along with architect Miguel McKelvey (an ultra-cautious Kyle Marvin) and Neumann’s wife Rebekah Paltrow-Neumann (Anne Hathaway), a multinational business evolved. But the Neumanns believed their concept to be a way of life with more and more ‘We’ ideas demanding more and more finance. Money followed money – until there was no more and the plug was pulled, losing billions in order to save the company with the Neumanns forced out.

WeCrashed is an extraordinary eight part miniseries based on actual events. Leto is equally mesmerising and infuriating with a mix of charm and arrogance: Hathaway, giving her all, is plain New Age annoying as she positions herself as the spiritual soul of the company but who ultimately has little place among the corporate billions. Hers should have been the bypass narrative to reduce the length of the miniseries to six rather than eight episodes. Like Neumann himself, excess after excess eventuates from intriguing into tedium, reducing the dramatic impact of the incredible story.

Rating: 67%

‘House of Gucci’

A fractured, hugely disappointing feature, House of Gucci focuses on the manipulative and ambitious Patrizia Reggiani (Lady Gaga – A Star is Born, Machete Kills) as she climbs from her father’s garbage truck business to wife of Maurizio Gucci, heir to the family fortune.

Taking many liberties with the true story of the Gucci empire and eventual death of Maurizio (a surprisingly passionless Adam Driver – Marriage Story, The Report), director Ridley Scott (Gladiator, The Martian) looks to sensationalise an already extraordinary story of extreme wealth, family feuds, jealousies and murder. Yet there’s no context to the lineage, no history and therefore no emotional investment in the likes of Maurizio, cousin Paolo (an unrecognisable Jared Leto – Dallas Buyers Club, Suicide Squad) or New York-based uncle, Aldo (Al Pacino – Scarface, The Irishman).

It’s ham all the way in House of Gucci and a narrative where it feels most of the film ended up on the cutting room floor.

Nominated for 1 Oscar in 2022 – make up & hair.

Rating: 50%

‘Dallas Buyers Club’

Electrician and part-time rodeo bull rider, hustler Ron Woodroof (an astonishing, against-type Matthew McConaughey – Failure to Launch, Magic Mike) lives and plays hard out of his Texan trailer. Contracting HIV was not part of his game plan.

Based on true events, Woodroof bucks the clinical system in the early days in the fight against the disease. Losing friends and work, unable to secure ‘at clinical trial’ AZT in spite of initially been given just 30 days to live, he looks to alternatives. Turning to Mexico, laws are broken as unapproved drugs are smuggled across the border. The formerly racist and homophobic Woodroof spends the next nine years battling with authorities about the efficacy of the very drugs that are keeping him and others alive.

Whilst overlong, Dallas Buyers Club is intimate, moving yet understandably didactic as director Jean-Marc Vallée (Wild, The Young Victoria) avoids overt sentimentality, looking instead to the determination of Woodroof and his unlikely business partner Rayon (Jared Leto – Suicide Squad, House of Gucci), a HIV+ transgender woman.

Nominated for 6 Oscars in 2014, including best film, editing & original screenplay – won 3 for best actor, supporting actor and make-up/hair styling.

Rating: 73%

‘Blade Runner 2049’

915ff4b4db85b23edf4fb6396797800a--film-posters-blade-runnerWe’ve waited more than thirty years – and this visual stunner, cinematography courtesy of one of the very best in the business, Roger Deakins (Skyfall, The Shawshank Redemption), makes it all so worth while.

It’s a beautifully crafted slow burn in which LAPD blade runner K (Ryan Gosling) stumbles across a secret, the ramifications of which, for K’s boss (Robin Wright) do not bear thinking about. It’s crucial that Deckard, missing for 30 years, be found. An older, slower Harrison Ford makes his return.

Denis Villeneuve has moved the sci-fi aesthetic up a notch or two (and follows on from his Arrival) with this moody, cerebral spectacle.

Nominated for 5 Oscars (including best production design, sound mixing & editing), won 2 (cinematography & visual effects).

Rating: 82%

Director: Denis Villeneuve (Incendies, Prisoners)

Writer: Hampton Fancher (Blade Runner, The Minus Man), Michael Green (Logan, Green Lantern) – based on Philip K. Dick original novel

Main cast: Ryan Gosling (La La Land, Drive), Robin Wright (State of Play, Forrest Gump), Ana de Armas (War Dogs, Hands of Stone)

‘Suicide Squad’

suicide-squad-movie-2016-posterSprawling and anarchic, director David Ayer has perfectly captured the essence of the band of superheroes who make up the squad.

Margot Robbie is riveting as the crazed Harley Quinn, Will Smith solid as Headshot. Add a superbly deranged Jared Leto as The Joker and the band of comic-book nihilistic antiheroes are magnificently ever present on screen.

But the story is one huge misstep – it’s a mess. Lots of energy from the intrepid band fizzles into a dull mishmash of oldhat stories and scenarios. Get the witch and save the world (I mean New York – again). Boring.

Winner of best make up and hair Oscar in 2017

Rating: 45%

Director: David Ayer (Fury, End of Watch)

Writer: David Ayer (Fury, End of Watch)

Main cast: Will Smith (Men in Black, Ali), Margot Robbie (The Wolf of Wall Street, Focus), Jared Leto (Dallas Buyers Club, Requiem For a Dream)